Ranjit was born in karalapakkam, a villiage near Avadi, North-West of chennai. He graduated from government college of fine arts, chennai, and has described that his travels to and from his college often helped create inspiration for film ideas. During his time in education, he joined the film chamber and began watching World cinema, regularly attending annual film festivals. He gained inspiration from films including The Battle of Algiers (1996) and City of God (2002),stating they changed his thinking of cinema and revealed the masses due to restrictions by central board of film certification in using actual references of caste based exploitation in movies. He made his directoral debut with the 2012 romantic comedy Attakathi, before earning unanimously positive drama Madras(2014). In 2016, he written and directed the gangster drama Kabali and in 2018, kaala both starring Ranjinikanth. As you enter director pa Ranjith’s office in Egmore, chennai, there is a big poster of Pariyerum Peru Al on the left. The critically acclaimed film is the first feature length project that Neelam Productions, headed by Pa Ranjith, undertook. Though the film was delayed by several months due to the strike in the thamil film industry and managed to get only a limited release on September 28,it went on to get rave reviews and eventually became a hit. In his room in the office building, the director has a black and white portrait of Ambedkar on the wall opposite his chair. There is also a small stone Buddha in the room-expressions of his political beliefs that have found their way to his films. Though Pariyerum Peru Al, directed by Mari Selvaraj, is still in the news, Ranjith is not one to rest on his laurels. The director is already in discussions for other upcoming films, including his Bolluwood venture. But the going hasn’t been easy for Ranjith, despite doing back to back films with Ranjinikanth, arguably the biggest star of his generation that the thamil film industry has produced. Pariyerum Peru Al, for instance, faced a lot of hurdles before it could make it to the screens in theatres across the country.

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Lijo Jose pellissery was born on Sep. 12,1979 in chalakudy in Thrissur District of the South Indian state of kerala to Lilly and Jose pellissery, a known film and theater actor and a winner of a state award for best stage actor. His schooling was at carmel higher secondary school chalakudy and, after graduation from the union Christian college, Aluva, he earned a master’s degree in business administration from the Indian institute of plantation management, Bangalore. His career started as an assistant to Manoj Pillai, an ad filmmaker, and Pellissery soon started making short films of his own. One of his films, 3,was one of three films shortlisted for the best film award at the PIX short film festival 2007. He debuted as a feature film director in 2010 with Nayakan, which narrated the story of a Kathakali artist who joined the underworld to take revenge on those who killed his family. Though the film was critically acclaimed, it failed at the box office. His one of the project is Angamaly Diaries, a black comedy cloaked in a gangster plot that revolves around the locate of Angamaly, was scripted by popular actor, chemban vinod Jose. The film also won him the silver peacock award for the best director at the 49th International film Festival of India, 2018, which was held in Goa in Nov. 2018.Chemban vinod Jose, the protagonist of the film, also received the silver peacock award for the best actor.

A self- proclaimed fan of film makers such as Quentin Tarantino, Francis Ford Coppola, K. G. George, padmarajan and Akira Kurosawa, pellissery often uses non linear style of narrative. His early films had established actors in the lead roles but Angamaly Diaries marked a change where almost the entire cast were newcomers with 86 new actors making their debut. His style of film making has drawn comparisons with that of Quentin Tarantino and has earned him the moniker, the Tarantino of Mollywood.

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Prashanth Neel who is an Indian film director who works in Kannada cinema. He was born in 4 June 1980 in Hassan City, Karnataka, India. He debuted in Kannada cinema with the action-thriller Ugramm(2014), which featured Srii Murali and Hariprriya in the lead roles. A sensational critical and commercial, success, Ugramm’s theatrical run lasted forover a 100 days, and Prashanth won the SIIMA Award for best debut director that year. Besides this, he was also nominated in the best director category at the film fare awards and SIIMA awards for his work in the movie. In 2018, Prashanth made his sophomore directorial outgoing with the Yash starring KGF, which he also wrote. KGF is a complete package in terms of direction, music, artwork and cinematography. Prashanth was involved in every shot, but at the same time, he had complete faith in the team.

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Ram is an Indian film director and actor, who works in thamil cinema. He was born in Ramsubramaniam, 11 October 1974 Thamil Nadu. Ram completed his bachelor of arts in American college in Madurai. And he began writing short stories in Thamil language. He met director Thangar Bachan and worked with him in a few films, who recommended that he meet hindhi film director Rajkumar Santoshi. Ram worked together with Santhoshi in several Hindhi films, including Pukar (2000) and Lajja( 2001) and helped him in shaping the story of Lajja. By mid 2006, Ram began working on his directoral debut, initially later changed to Kattradhu Thamizh. ‘Thanga Meengal’ discusses how a common man’s life is twisted and turned by globalisation and today’s educational system. The film was critical success, winning three National Film Awards including the Best Thamil Feature Film Award and three awards at the Chennai International Film Festival. In 2014 Ram started filming his next project Tharamani that deals with contemporary relationships. In 2016, Ram started shooting for the next film titled Peranbu. The movie had its World premiere at 47th International film Festival Rotteedam. Peranbu has been officially selected for and will have its Asian premiere at the 21st Shanghai International Film Festival 2018. Ram was also part of a panel discussion at International Film Festival Rotterdam on Thamil cinema.All of Ram’s films- Kattradhu Thamizh, Thanga Meengal and Tharamani – focus on the hero’s struggle to adapt to the system. He likes to document the lives of underdogs. His films are a culmination of real life incidents. The characters that come in Ram’s films are violate in nature. Naturally people watch films and try to judge. They think the directors are very serious people, who are always talking about books and world cinema. Actually, he even discussing doing his own standup comedy show in chennai.

Through ‘ pariyerum perumal’, first time filmmaker Mari Selvaraj attempts to take Thamil Cinema to his roots. His hometown is in Puliyankulam village in Thoothukudi district. His first victory is based upon his birth. Before his birth,he was looked at as a proponent of doom by his extended family. His mother fought against all such portentous voices and given birth to him. That was his first victory. In 32 Mari Selvaraj traces his love for cinema to the days he spent spent in his mother,Papa’s village, Puliyanghulam, Thoothukudi District. The people of that village is so passionate about cinema. Cinema was everything to them. In his opinion cinema was entertainment, politics, cinema was life. The young Mari would dance to cinema songs. He was the star in that village. The people would telling him to go and join the film, on the other hand they also knew that cinema was a distant dream, So he went to law college for his graduation. His craveness on movies he left the course and came to chennai. And he worked hard doing multiple jobs here and there and ended up with director Ram. Later Mari Selvaraj is an author and a filmmaker. He finally made his own film. Pariyerum Perumal, produced by Pa. Ranjith’s Neelam productions, will mark his directorial debut. Before that he directed three films with the director Ram – ‘Kattradhu Thamizh’, ‘ Thankameenkal an and ‘Taramani’ Actually his main goal is to become an actor, to dance in front of the camera. In between shooting schedules he met with his wife Divya. Along the way, he also began publishing stories in Ananda Vikatan, including the Marakkavey Ninaikiren series. When he felt he was ready, Mari took the plunge. Within six months of getting his script ready, he became a director and the film was shot in a hectic 47 days in the sweltering summer.

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R. Ajay Gnanamuthu is best known Director and Screenwriter. He was born in 15 September 1988 Thrichy, Thamil Nadu, India. He completed his schooling at St. John’s High school, Bangalore and later joined loyola college, chennai. During his college days as a student of the visual communication Department he loved making a lot of short films. And he also completed a Digital Filmmaking Diploma in SAE Institute, chennai simultaneously. His career begins when he was selected to contest in the short filmmaking show. Naalaya Iyakunar season-1 in 2010wherw he finished as one of the finalists. He then joined acclaimed filmmaker AR Murugadoss and worked in Tamil films 7aum Arivu and Thuppakki. His pursuit is to be an independent filmmaker succeeded with the release of Demonte Colony in 2015 that became a box – office hit, Nominated SIIMA Award fir best film. And he directed the next movie Immaikka Nodighal, a psychological thriller movie in 2018. Ajay Gnanamuthu’s Demonte Colony does sincere attempt to scare us and seriously it is one of the well written, superbly executed horror thrillers in recent times that keep us engaged throughout its crisp running time of 116 minutes. It is very much evident that Ajay comes from Murigadoss’ school as he has perfectly done his research work to make an intelligent and intriguing horror thriller. Another appreciable thing about Ajay is that he has not compromised by adding love angle, songs or even a female lead.

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Thanks for joining me!

Good company in a journey makes the way seem shorter. — Izaak Walton